Art |
|
| Name | Title |
| Sherri Adler | Production Designer |
| Allyn Howard | Set Decorator |
| Heather Cottrell | Art Department Coordinator |
| Melissa Stampley | Leadperson |
| Shannon Bowen | Set Dressers |
| Hugh Brandon Kelly | Art Driver/Dresser |
| Julia Evins | Graphic Designer |
| Freda Clax | Art Intern |
| Gabriel Marquez | Florist |
| Cheryl Klienmen | Wedding Cake |
| Che Chisholm | Day Players |
| Cathy Cottrell | |
| Roy Williams | |
The Art Department makes or chooses all the things you see in a movie.
They build the character's apartments and places of business. They choose what hangs on the lead's refrigerator door, or from the villain's rear-view mirror.
PRE PRODUCTION NOTES |
| Oatmeal Steam (scene 83): Sherri says: "The
solution is to get the oatmeal really hot. That's the best way to get it to steam. As it
turns out, we only need the steam in the close-up, so we'll be ready to reheat the oatmeal
if we need retakes." Scene 13: Leila posts "NO MENUS" sign. In order to have the menus look real in the film, without risking some kind of lawsuit for trademark infringement or libel, the art department has made up menus of all the major takeout food groups: Chinese, Italian, Pizza, Japanese. Scene 53: Ernest and Mammy's Art is bringing their own chairs, rather than usuing the stools at the location. Scene 87: The Bar Sherri: This is a heavily dressed set. If we go to cover (shoot this location, indoors, on a day when the weather is too bad to shoot and exterior scene) when can we get in to dress? Eddy: In the morning. |